When you delve into Lovecraftian territories, it’s often difficult to please everyone. Perhaps you enjoy the Mythos stories, but not the Dreamlands types of tales, or vice versa. Perhaps you’re reading for the language, or for the ideas, or for the horror.
Now on to Patrick Tomlinson’s The Ark.
think you can often tell a first novel – there’s some rough edges, a
place or two where you can almost hear the author working out what’s
going on. And this first novel has some of those problems.
Luckily, it has few of those problems, and they’re of the type that get resolved after the first book or so.
central murder mystery (for it is one) of this action sci-fi novel has
the wonderful twist of being a sort of closed-room murder while still
having thousands of people around. The plot moves quickly and
The characters aren’t quite as rounded as I’d like,
but have enough quirks and foibles (and have to deal with the fallout
from them) to keep them engaging. And the fast-moving plot kept me going
through any rough spots.
The central concept – that this is the
remnants of humanity fleeing the destruction of Earth – is a clever one,
and something that is not mere window dressing. The science is handled
well, and not in an obsessive nuts-and-bolts way.
In all, this is
a strong first novel from an author who knows how to spin an
entertaining story. If you like science fiction, action, or mysteries,
you should definitely check this out.
I’m definitely looking forward to the sequel.